Filter: Lowpass
Default installation path S|C: .../Filter/Lowpass/
Default installation path Flexor: .../-=Flexor=-/Filters/Low-Pass/
dspLoad 1.10/1.10/1.00
(can also be used as a control signal smoother if cutoff frequency set very low)
as above; “smoothing frequencies” start from 200Hz downwards. CWM download
dspLoad 3.50/6.80/3.50
dspLoad 8.70/5.60/5.50
can self-oscillate at maximum resonance setting, even without any input signal.
dspLoad 6.70/6.00/4.80
“vintage” lp, level remains largely unchanged when resonance is increased.
dspLoad 8.70/5.60/5.50
This is a one-pole (6db) low-pass filter. It is the basic building block of all the FleXor filters. It is ideal for creating your own filter combinations or when a mild filtering effect is needed. Its modulation inputs are optimized to receive audio-rate modulation sources. (Flexor Manual)
dspLoad 6.40/5.70/4.40 Poly:16
This is a three-pole (18dB) Low-Pass filter. It has internal filter saturation and a screaming resonance. The “rubbery" and “juicy” sound it imparts is great for classic acid type synthesizer riffs and basses. (Flexor Manual)
dspLoad 31.30/28.10/28.10 Poly:4
This is a four-pole (24db) low-pass filter. Its classic, warm character is ideal for creating classic leads, bass sounds, pads and more. Its modulation inputs are optimized to receive audio-rate modulation sources (like oscillators) to create amazing filter modulation effects. (Flexor Manual)
dspLoad dspLoad 23.30/20.00/20.10 Poly:5
This is a ffour-pole (24db) low-pass filter with a unique feature: it enables free routing from any stage (1 to 4) within the internal filter structure, to be sent to the final audio output of the filter. The resonance has a unique sound character, as it is always fed-back from the fourth filter stage, no matter which stage is selected to be heard. This filter’s harmonic character is more complex than standard low-pass filters, making it ideal for interesting pad and lead sounds. (Flexor Manual)
dspLoad 19.70/16.40/16.50 Poly:7
This is a Six-Pole (36dB) Low-pass filter with a unique feature: It has 6 stages (1 to 6) in series and any of the stages can be assigned to the final audio output of the filter. The resonance has a very liquid sound that is always
internally fed-back from the sixth filter stage (regardless of
which stage is assigned to the output). (Flexor Manual)
dspLoad 29.00/25.70/- Poly:4
This is an eight-pole (48db) low-pass filter. Its slope is twice as steep as the more common four-pole or 24db filter type. The deep slope produces an extreme result of filtered sound, and is great for quacking filters, wah-wahs, throaty bass-lines and other funky sounds. The unique FaT feature allows a rich and warm resonance saturation. (Flexor Manual)
dspLoad 28.40/25.20/25.20 Poly:4
