|
Name |
Controls / Notes |
CPU load |
|
Analog Tape Delay |
Delay: Delay time (40ms to 2sec), FB (0-100%), Spread (0-200%); Distortion: Dist.Mode (Tape - Tape/Tube - Analog), Trash(0-100%); Mix: Dry(0-100%), Wet(0-100%) |
1.2 |
|
Dual Delay |
Delay: Delay time (1ms to 5sec), L/R (L x0.10 - Same - R x0.10); FB (0-100%), L/R (L x0.10 - Same - R x0.10); Peak EQ: Freq (20Hz to 20kHz), Gain (-20 to +20dB); Q (0.10 to 10.00) - Filter in Feedback loop Modulation: Depth (0 cents to 20 cents), Rate (0.10 to 10.00 Hz), Offset (0-100 %) Filters: LowCut (20Hz to 4kHz), HighCut (1 to 20kHz) - wet signal filter Rotation: Input (-100 to +100%), Output (-100 to 100%), Fb (-180 to +180) - phase of input, output, feedback signal Width: input and output stereo spread Mix: Dry/Wet (0-100%) |
0.3 |
|
Tape Echo |
Echo: Rate (100 to 300%), Intensity (0-200%) - Rate: use this for Delay time modulation; Intensity = feedback Mode: 4 Repeat modes, 7 Reverb Echo modes, Reverb Only mode, Stop button, Delay times I, II, III (50 to 500 ms), Reverb Gain (0to100%) Filter: Bass (-10 to +10), Treble (-10 to +10) - wet signal filter Output: Mix (0-100%): |
2.3 |
|
Track delay |
Delay (0-5 sec) |
0 |
|
Legacy: Fx Delay |
Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Speed (0 to 20Hz), Mix (0-100%) - Speed = Auto-pan rate |
0.1 |
|
Legacy: Fat Delay |
Delay Time (10ms to 10sec), Feedback (0-100%), Diffusion (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%) |
0.4 |
|
Legacy: PingPong Delay |
Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Spread (-100% to +100%), Mix (0-100%) |
0.2 |
|
Legacy: Simple Delay |
Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%) |
0.2 |
|
Legacy: Stereo Delay |
Left Delay Time (0-10sec), Right Delay Time (0-10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%) |
0.2 |
|
Name |
Controls / Notes |
CPU load |
|
Diffusion |
Diffusion (0-100%), Diffusion Start (100 μs to 20 ms), Mix (0-100%) |
1.5 |
|
iReverb |
Impulse: drag'n'drop an audio file here; editing functions on right click; Reverb: Time (10-100%), PreDelay (0-100ms), Width (-100 to 100%); Damp: Low Damp (-100 to 100%), Hi Damp (-100 to 100%); Mix: Dry (0-100%), Wet (0-100%) |
0.3 |
|
Spark Reverb |
Room: Size (4-50m), Shape (0-100%), Predelay (0-100ms); Modulation: Depth (0-20cents), Rate (x0.25-x4.00), Mode (Lo-Fi, Dark, Bright) Decay: Lo Decay (x0.1.00 to x10.00), Low Crossover (10Hz-1kHz), Decay Lo-Cut switch, Decay Hi-Cut switch, Hi Crossover ( 2-20kHz), Hi Decay (x0.1.00 to x10.00) Diffusion: OnOff switch, Start (1-10ms), Amount (0-100%); Output: Mix (0-100%), Width (0-100%), Rolloff (2-20kHz), Freeze button |
0.2 |
|
Legacy: Gate reverb |
PreDelay (10 ms-2 sec), Decay Time (0-10 sec), Gate Time (50-1000 ms), High Damp (0-100%), Mix (0-100%) - PreDelay modulation gives funny artefacts |
0.6 |
|
Legacy: Plain Reverb |
Decay Time (0 to 10sec), High Damp (0-100 %), Mix (0-100%) |
0.4 |
|
Legacy: Predelay Reverb |
PreDelay (10 ms-2 sec), Decay Time (0-10 sec), High Damp (0-100%), Mix (0-100%) - PreDelay modulation gives interesting artefacts |
0.5 |
|
Legacy: Simple Reverb |
Cutoff (0-127 Lp, Off, 0-127 Hp); Decay Time (0-10 sec); High Damp (0-100 %); Mix (0-100 %) |
0.4 |
|
Name |
Controls / Notes |
CPU load |
|
Analog Chorus |
Speed (0.10 to 10 Hz), Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0 to 10.00) |
0.5 |
|
Analog Flanger |
Speed (0.10 to 10 Hz), Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0 to 10.00) |
0.5 |
|
Ensemble 505 |
Mode (I to III), Tone (3-10 kHz), Mix (0-100%) - Roland RS-505 String Ensemble Chorus recreation |
0.4 |
|
Flanger |
Speed (0.01 to 10 Hz), Delay Time (0 to 10 sec), Depth (0-100%), Feedback (0-100%), Mix (0-100%) - Speed can be synced to tempo |
0.1 |
|
Frequency Shifter |
Pre Hp: Pre Hp on/off, Cutoff (20Hz to 20kHz); Shift: Mirror on/off, Coarse (-10 to +10 kHz), Fine (-200 to +200 Hz), Spread (-200 to +200 Hz); xOver: on/off; Mix: Wet Gain (-12 to +123 dB), Mix (0-100%) |
21.1 |
|
Phasor |
Order: Notches (1-12); Contour: MinFrq (20Hz to 20kHz), Max Frq (20Hz to 20 kHz), Fb (-99 to 99%); Lfo: Speed (0.1 to 10 Hz), Shape (Triangle, Sine, S&H, Random); Mix: Spread (0-100%), Depth (0-100%) - Lfo can be synced to tempo |
0.6 |
|
Rotary |
Front Panel: Speed (Chorale, Brake, Tremolo), Speed Chorale (0.1 to 3 Hz), Speed Tremolo (3 to 10 Hz), Horn Vol. (-∞ to 0dB), Drum Vol. (-∞ to 0dB); Mics: Distance (0.1 to 2 m), Width (-180 to 180), Angle (-100 to 100), Skew (-100 to 100) Back Panel: Settings: Delay comp. (on/off), Reflection (0-100 %), Spherical Damping (0-100 %), Order (0 to 3), Preemphasis (0-100 %), Radius (0-100 %) Box Reverb: Power (on, off), Level (0-100 %), Type (Open, Closed); Horn: Acc. Time (100ms to 10sec), Dec. Time (100ms to 10sec), Filter (Off, Horn A, B, C), Directivity (Horn, Omni, Cardio, SoftCardio, unipolar, DrumCardio, Drum) Drum: Acc.Time (100ms to 10sec), Dec. Time (100ms to 10sec), Filter (Off, Drum A), Dir. (Horn, Omni, Cardio, SoftCardio, unipolar, DrumCardio, Drum, DrumCardio2, 3) |
2 |
|
Thorus |
Chorus: Voices (2-8), Speed (0.10 to 1 Hz), Depth (1 to 40 cents); Mode (Standard, Wide) Color: Low Gain (0 to 200%), Crossover (20Hz to 5 kHz), Edge (-100 to 100%), Tone (2 to 22.05 kHz); Output: Mix (0 to 100%) |
0.3 |
|
Legacy: Chorus |
Speed (0.01 to 10 Hz), DelayTime (0 to 1 sec), Depth (0 to100 %), Mix (0-100 %) Speed can be synced to tempo |
0.3 |
|
Legacy: Cross Phaser |
Speed (0 to 10 Hz), Min Freq (100 Hz to 20 kHz), max Freq (100 Hz to 20 kHz), Depth (0 to 100%), Feedback (0 to 100%) Speed can be synced to tempo |
0,2 |
|
Legacy: Phaser |
Speed (0 to 10 Hz), Min Freq (100 Hz to 20 kHz), max Freq (100 Hz to 20 kHz), Depth (0 to 100%), Feedback (0 to 100%) Speed can be synced to tempo |
0,2 |
|
Legacy: Rotary |
Cabinet: Model (122, 145, 30, 722, 760, 950, 16), Radius (0 to 100%), (Drive (0-100%), Speed (Chorale, Brake, Tremolo), Speed Chorale (0.1 to 3 Hz), Speed Tremolo (3 to 10 Hz), Horn Filter (Off, Horn A, Horn B), Horn Vol. (-∞ to 0dB), Drum Vol. (-∞ to 0dB), Order (0 to 3), Reflection (0 to 100%), Box reverb (off, on) Mics: Mic Distance (0 to 10 m), Mic Angle (0 to 180) |
1,7 |
|
Name |
Controls / Notes |
CPU load |
|
Analog Filter |
Mode (Lp, Hp, Bp), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %) |
3.5 |
|
Biquad Filter |
Mode (Lp, Hp, Bp, Notch), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %) Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0 |
0.3 |
|
Brickwall Filter |
Cutoff (20 Hz to 20 kHz), Type (Lp. Hp), Slope (24,48,96 dB), Sofz Bypass (off, on) - Cpu load depends on filter slope 24/48/96 dB |
1.5/3/6 |
|
Comb Filter |
Mode (Plus, Minus), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %) |
0.3 |
|
Crossover Filter |
Low-Mid Freq (20 Hz to 2 kHz), Mid-High Freq (2 kHz to 20 kHz), Type (Lp, Bp, Hp) |
1.6 |
|
Digital Filter |
Mode (Lp, Bp, Hp, Notch, LowSh, HiSh, Peak), Slope (6, 12, 18, 24, 36, 48, 72, 96 dB), Cutoff Freq. (10 Hz to 22 kHz), Key Tracking (0 to 100 %), Spread (-48 to +48 semi), Resonance (0.02 to 28.28), Gain (-30 to +30 dB), Bandwith (0.01 to10 Oct) Cpu load depends on filter type and slope Lp12/Lp96/Bp96 dB |
1.6/4.6/ 12.1 |
|
Formant Crusher |
Vowel: Formant (-100 to +100%), Bite (0 to 100 %), Q (10 to 20); Shape (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/), Morph (0 to 100%); Mix (0 to 100 %) |
1.4 |
|
Lowpass 12 |
Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %) |
0.6 |
|
Lowpass 24 |
Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %) |
1.2 |
|
One Pole |
Cutoff (20 Hz to 20 kHz), Key Tracking (0 to 100 %), Mode (Lp, Hp) |
0,2 |
|
Phasor Filter |
Order: Order (1 to 12); Contour: Freq (20 Hz to 20 kHz), Feedback (-99 to +99 %); Mix: Spread (-12 to +12 semitones), Depth (0 to 100 %) |
1,8 |
|
Rez Filter |
Mode (Lp, Hp, Bp), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %) |
1,3 |
|
SVF |
Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %), Mode (Lp, Bp, Hp, Peak, Notch), Drive Mode (Linear, Soft) |
2 |
|
Sallen - Key Filter |
Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %), Symmetry (-100 to 100%), Range (0 to 15.00), Output (soft, hard) |
27,2 |
|
UVI Filter |
Cutoff (0 to 127 LPF, Off, 0 to 127 HPF), Resonance (0 to 1.00), Mapping Mode (Standard, Legacy1, Legacy2) - !High cutoff mod values might cause clipping! |
0,8 |
|
VCF-20 |
HP/LP (0%(HP) to 100%(LP)); Cutoff (20Hz to 20kHz); Peak (0to100%) (Resonance); Trim (0to100%) (Res. Shape); Voltage Ref (500mV to 5V); KeyTracking (0to100%) |
13,8 |
|
VCF-20 Dual |
basically the same as VCF-20, but with discrete controls for HP Cutoff and Peak, and LP Cutoff and Peak. |
26,6 |
|
Vowel Filter |
Morph (0 to 100%), Q (10.00 to 20.00), Num Formants (1 to 4), Formant (-100 to 100%), Mode (LP2, BP2, HP2), Filter A (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/), Filter B (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/) |
3,5 |
|
WahWah |
Wah (0 to 100%), Drive (0 to 100%), Model (Default, Cry, CryB, CryC, Vox, VoxM, CryBassHigh), Master (-∞ to + 20dB) |
3,6 |
|
Xpander Filter |
Mode: 37 filter types (Lp1, Lp2, Lp3, Lp4, Hp1, Hp2, Hp3, Hp4, Bp2, Bp4, N2, N4, Ap3, A3L1, Pk2, Pk4, L3H1, L3H3, L1H3, H2L1, L2H1, N2L1, N2L2, N2H2, H1N2L1, NP1, NP4, N2P2T, N2L2T, N2H2T, N2H1L1T, P2N2T, L2N2T, H2N2T, H1L1N2T, N2P2N2T, N2N2AT, N2N2BT), Filter: Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Thickness (0 to 100%), Key Tracking (0 to 100 %), Algorithm (I, II), Oversampling (off, 2x), Overdrive: Type (Soft Sat, Hard Clip, Linear), Amount (-20.00 dB to +20.00 dB) - CpuLoad1: Alg1, no OS, SoftSat; CpuLoad2, Alg2, OS, LinearSat |
5.2 10.5 |
|
Legacy: Auto Wah |
Gain (-18,06 to 6.02 dB), Sensitivity (0.10 to 0.90), Q (0 to 1.00), Drive ((0 to 1.00) |
0,9 |
|
Legacy: FX Filter |
Low Freq (0 to 127, off), Low Q (0 to 1.00), Figh Freq (off, 0 to 127), High Q (0 to 1.00) |
1,5 |
|
Legacy: Talkbox |
Filter Mode (Lp, Hp, Bp), Vowel Mode (A, E, I, O, U), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %) |
5,3 |
|
Name |
Controls / Notes |
CPU load |
|
3 Band EQ |
Gain Low (-24 dB to +24 dB), Low/Mid Freq (20 Hz to 1 kHz), Gain MId (-24 dB to +24 dB), Mid/High Freq (2 to 20 kHz), Gain High (-24 dB to +24 dB) |
0.7 |
|
Big Pi Tone |
Tone (0.00 to 10.00), Gain (0 to 10.00 dB) |
0.7 |
|
Convolver |
Impulse: drag'n'drop an audio file here; editing functions on right click; Mix: Dry (0 to 100%), Wet (0 to 100%) - Cpu load depends on imported impulse file size |
|
|
Digital EQ |
Mode (L/R, M/S), Power (off, on), Stereo (L, L+R, R), Type (Lp, Bp, Hp, Notch, LowSh, HiSh, Peak), Slope (6, 12, 18, 24, 36, 48, 72, 96 dB), Cutoff Frq. (10Hz to 22kHz), Gain (-30 to +30 dB; Shelve + Peak only ), Q (0.2 to 28.28), Bandwith (Bp, Notch, Peak only), Transpose (-10.00 to +10.00 Oct), Key Tracking (0 to 100 %), Gain (-20.00 to +30.00 dB), Scale (-200.00 to +200.00 dB) Cpu load depends on EQ type, slope and no. of Bands. Lp, Hp, LoSh, HiSh = low cpu, Bp, Notch, Peak=high cpu. Examples for Lp 6dB, Lp 96dB, Peak 6dB, Peak 96dB (1 Band); Peak 96dB (2 Bands) > |
0.9 6.3 9.8 12.4 24.4 |
|
Tilt |
Frequency (20 Hz to 20 kHz), Tilt (-6.00 dB to +6.00 dB) |
0.7 |
|
Tone Stack |
Model (26 amplifier heads), Bass (0 to 100%), Mid (0 to 100%), Treble (0 to 100%), Gain (0 to 100%) |
0.8 |
|
Legacy: 2 Band EQ |
Low Freq (20 Hz to 1.20 kHz), Low Gain (-24 dB to +24 dB), High Freq (4 kHz to 20 kHz), High Gain (-24 dB to +24 dB) |
0,6 |
|
Legacy: 3 Band EQ |
Low Gain (-24 dB to +24 dB), Mid Freq (120 Hz to 12 kHz), Mid Gain (-24 dB to +24 dB), Mid Q (0.00 to 1.00), High Gain (-24 dB to +24 dB) |
1 |
|
Legacy: 8 Band EQ |
Hp: On/Off, Freq (10 Hz to 20 kHz); Low Shelf: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00); Peak1: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00); Peak2: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00) Peak3: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00); Peak4: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00) High Shelf: On/Off, Freq (10 Hz to 20 kHz), Gain (-30 dB to +20 dB), Q (0.20 to12.00); Lp: On/Off, Freq (10 Hz to 20 kHz) |
3,4 |
|
Name |
Controls / Notes |
CPU load |
|
Autopan |
Speed (0 Hz to 20 Hz), Depth (0 to 100%), Mode (Linear, Equal Power, Balance, Rotate) Speed can be synced to tempo |
0.2 |
|
Gain |
Volume (-∞ to 12 dB) |
0.1 |
|
Gain Matrix |
- the number of Matrix channels on Program and Layer level depends on [Preferences/Default Audio Config] settings. - the number of Matrix channels on Keygroup level depends on Osc type (M= all mono OSCs; L/R = AnalogStack, Drum, Organ) |
0 |
|
Tremolo |
Freq (0 to 20 Hz), Depth (0 to 100 %) Freq can be synced to tempo |
0.2 |
|
UVI Wide |
Width (-100 to 100 %), Delay (-15.0 to 15.0 ms), Extra Width Freq ((2 kHz to 20 kHz), Extra Width Gain (-15 dB to +15 dB) |
0.4 |
|
Legacy: Rotary Simple |
Speed (0 Hz to 20 Hz), Depth (1 to 100 %), Mic Distance (1.10 to 20), Mix (0 to 100 %) |
0.2 |
|
Legacy: Rotary Speaker |
Low Speed (0 Hz to 20 Hz), Hi Speed (0 Hz to 20 Hz), Depth (1 to 100 %), Mic Distance (1.10 to 20), Cross Frequency (20 Hz to 10 kHz) |
0,3 |
|
Name |
Controls / Notes: CPU load depends heavily on Oversampling settings |
CPU load |
|
Analog Crunch |
Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100 %), Mix (0 to 100 %), Output Gain (-40 to +10 dB) |
0.3 to 30 |
|
Diode Clipper |
Clipper: Drive (0 to 30 dB), Asymmetry (0 to 100%); Contour: Tone (100 Hz to 20 kHz), HighPass (1 Hz to 20 kHz); Output: Gain (-40 to 10 dB) |
0.7 |
|
Drive |
Mode (Analog, Mild, Strong), Amount (0 to 100 %), Oversampling (None, 2x, 4x, 8x, 16x) |
0 to 25 |
|
Exciter |
Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Amount (0 to 100 %), Mix (0 to 100 %), Mode (Tape, Tube) Output Gain (-40 to +10 dB) - Tube mode consumes more Cpu power than Tape mode |
0.8 to 37 |
|
Fuzz |
Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100%), Mix (0 to 100 %), Output Gain (-40 to +10 dB) |
1.7 to 52 |
|
Guitar Boxes |
Mix (0 to 100 %), Separation (-30 to 30 ms), Spread (0 to 100%), Model (15 guitar speaker cabinet models), Mic Type (Dynamic, Condenser, Ribbon) |
0.6 |
|
Magnetic Bass Shaper |
Input Gain (-30 to 30 dB), Drive (0 to 30 dB), Model (C,1), Inductor (Fasel Red, Fasel Yellow), Cutoff (1 to 500 Hz), Output Gain (-30 to +30 dB) |
47 |
|
Overdrive |
Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100%), Mix (0 to 100 %), Output Gain (-40 to +10 dB) |
0.1 to 24 |
|
TS Overdrive |
Input Voltage (100mV to 2.00V), Drive (0 to 100%), Asymmetry (0 to 100%), Low Freq (100Hz to 2kHz), High Freq (10kHz to 100kHz), Gain (-20dB to 20dB) |
24 |
|
Wave Shaper |
Input Gain (-40 to 40 dB), Pre freq (20 Hz to 22 kHz), Wave Shape (Sine, Fold-Back, tanH, aTan, Asyn exp, Hypersine, Rectifier, Half-Wave, Damped Sar, Asym, Exp, Diode Rectifier) Oversampling (None, 2x, 4x, 8x, 16x), Amount (0 to 100 %), Knee (-10 to +10), OutputGain (-40 to +40 dB), PostFreq (2 Hz to 22 kHz), Mix (0to100 %) - the most Cpu demanding Falcon Fx, one of the best sounding though |
1.8 |
|
Legacy: Double Drive |
Pre Drive (0 to 100 %), HighFreq (Off, 1 to 127 HPF), LowFreq (0 to 127 LPF, Off), Post Drive (0 to 100 %), Gain (-∞ to 0 dB) |
1,7 |
|
Legacy: UVI Drive |
Drive (0 to 100 %), Cutoff (0 to 127 LPF, Off, 0 to 127 HPF), Q (0 to 1.00), Gain (-∞ to 0 dB |
1,7 |
|
Name |
Controls / Notes |
CPU load |
|
3 Band Compressor |
Per Band: Ratio (1 to 30.00), Attack (0 to 500 ms), Release (0 ms to 5 sec), Gain (-30 to +30 dB), Mix (0 to 100%); Master: Gain In (-30 to +30 dB), Gain Out (-30 to +30 dB), Mix (0 to 100%) |
7.9 |
|
3 Band Limiter |
Threshold Low (-20 to 0 dB), Margin Low (-5 to 0 dB), Release Low (10 to 500 ms); Low/Mid Freq (20 Hz to 2 kHz); Threshold Mid (-20 to 0 dB), Margin Mid (-5 to 0 dB), Release Mid (10 to 500 ms); Mid/High Freq (20 Hz to 20 kHz); Threshold High (-20 to 0 dB), Margin High (-5 to 0 dB), Release High (10 to 500 ms) |
16.1 |
|
Compressor Expander |
Comp Threshold (-130 zo 0 dB), Comp Ratio (1 to 30), Comp Attack (0 to 500 ms), Comp Release (0 ms to 5 sec) Gate Threshold (-130 zo 0 dB), Gate Ratio (1 to 30), Gate Attack (0 to 500 ms), Gate Release (0 ms to 5 sec) Auto Makeup (off, on), makeUp Gain (-30 to +30 dB), Mix (0 to 100 %) - Input and Reduction meter don't work on Keygroup level |
3.1 |
|
Gate |
Threshold (-∞ to 0 dB), Attack (100 μs to 100 ms), Release (10 ms to 1 sec) |
0.4 |
|
Maximizer |
Threshold (-40 to 0 dB), Ceiling (-20 to 0 dB), Lookahead (1 to 20 ms), Release (100 μs to 1 sec) |
4.4 |
|
Studio Limiter |
Threshold (-20 to 0 dB), Margin (-5 to 0 dB), Release (10 to 500 ms), Mix (0 to 100 %) |
4.5 |
|
Legacy: Compressor |
Ratio (0.00 to 1.00), Threshold (-∞ to 0 dB), Attack (100 μs to 100 ms), Release (10 ms to 1 sec), MakeUp (0 zo 24.08 dB), Mix (0 to 100 %) |
0,4 |
|
Legacy: Limiter |
Gain (-12.04 to +12.04 dB), Threshold (-20 to 0 dB), Release (0 to 1.0 sec), Ceiling (-20 to 0 dB), Mix (0 to 100 %) |
0,4 |
|
Legacy: UVI Mastering |
Low Vol. (-12 to +6 dB), Low/Mid Freq (20 Hz to 2 kHz), Medium Vol. (-12 to +6 dB), Mid/High Freq (2 kHz to 20 kHz), High Vol. (-12 to +6 dB) Comp Attack (0 μs to 500 ms), Comp Threshold (-20 to 0 dB), Limiter Threshold (-20 to 0 dB), Tube Amount (0 to 15) |
12,8 |
|
Name |
Controls / Notes |
CPU load |
|
Phase Meter |
Refresh (20 to 100 ms), Amp Mode (Linear, dB), Decay (0 to 1000 ms) (optional) external window which can be resized |
0.1 |
|
Spectrum Analyzer |
FFT size (1024 to 32768), Window type (Hanning, Blackman-Harris, Blackman), Max dB (-200 dB to +40 dB), dB Range (10 to 200 dB), Refresh (40 to 200 ms) X scale (Linear, Log, Semitones, 3rd Octave), Draw Type (Line, Bin, Bands) (optional) external window which can be resized |
0.1 |
|
Tuner |
Freq Min (C-2 to G8), Freq Max (C-2 to G8), Refresh (40 to 200 ms) (optional) external window which can be resized |
0.1 |
|
Name |
Controls / Notes |
CPU load |
|
Feedback Machine |
Delay Time (2ms to 1sec); Feedback (0 to 100%); Mix (0 to 100%) |
0,1 |
|
Name |
Controls / Notes |
CPU load |
|
Redux |
Resampling: Freq (200 Hz to 44.1 kHz), Jitter (0 to 100 %), Res. Type (Decimate, Blocker), Bits (1.00 to 32.00), Dither (0 to 200 %), Quantize Law (Linear, MuLaw) Antialiasing (off,on); Filter: Freq (20 Hz to 20 kHz), Res (0 to 100 %), Mode (Lp, Bp, Hp), Position (off, Pre, Post); Output: Mix (0 to 100 %) Cpu load depends mainly on Resampling Frequency and Antialiasing settings. |
200Hz 8.7 44.1kHz 205 |
|
UVinyl |
Vinyl: Year (1930 to 2000), RPM (33,45,78), Wear (0 to 100 %); Noise: Electrical (-30 dB to + 20 dB), Mechanical (-30 dB to + 20 dB); Dust: Gain (-30 dB to + 20 dB), Amount (0 to 100 %); Scratch: Gain (-60 dB to + 40 dB), Amount (0 to 100 %); Output (Mono off, on) |
6.3 |
|
Legacy: Beat Repeat |
Active (off, on), Time (1 ms to 4.00 sec resp. 32x to 1/64tri), Mix (0 to 100 %) |
3.1 |
|
Legacy: Redux |
Resampling: Freq (200 Hz to 44.1 kHz), Jitter (0 to 100 %), Res. Type (Decimate, Blocker), Bits (1.00 to 32.00), Dither (0 to 200 %), Quantize Law (Linear, MuLaw) Antialiasing (off,on); Filter: Freq (20 Hz to 20 kHz), Res (0 to 100 %), Mode (Lp, Bp, Hp), Filter Position (off, Pre, Post); Output: Mix (0 to 100 %) Cpu load is much lower than the new version. Measured Cpu load is with Antialiasing @ 44.1 kHz sampling rate. |
19.2 |
|
Legacy: Ring Modulation |
Freq (0.10 Hz to 2.0 kHz), Mix (0 to 100 %) |
0.2 |
|
Legacy: Robotizer |
Freq (0.10 Hz to 2.0 kHz), Depth (0 to 100 %), FM (0.25 Hz to 20 kHz), Cutoff (0 to 127 LPF, 0to 127 HPF), Mix (0 to 100 %) |
1.4 |
|
Legacy: UVI Destructor |
Bit Size (1 to 24 Bits), Sample Rate (2,00 to 48,00 kHz), Drive (0 to 100 %), Cutoff (0 to 127 LPF, 0to 127 HPF), Mix (0 to 100 %) |
1,6 |
