dspLoad 4.10/7.40/4.10
produces a shot of 1 sample down and 1 sample up.                       MaxPoly:16

FixedFormant:
based on a synced noise architecture. The overtones don’t transpose when the fundamental freq does. Formant control/mod is used to transpose the overtones.

dspLoad 33.10/29.80/-
MaxPoly: 4
mp3: melo1 (sine mod.) melo2 (velo mod)

StringSimple/ StringVariable:
KarplusStrong goes CW ModularSynth. The modules below need a excitation input (commonly noise) to create sound. The outcome depends heavily on frequency and envelope of the input signal.

dspLoad 12.60/9.30/-
Poly 3

dspLoad 20.50/17.20/-
phase control: to have a well-tempered scale, Phase control has to be hard left or hard right. Hp and Lp filter. Poly3
mp3: ex1 ex2 ex3 ex4 (sounding out-of-tune because Phase control was in mid position)

Trapezoid:

dspLoad 28.40/25.20/25.20
waveshape ranges from saw to square to triangle.
Poly 4
ex1 ex2

clipNP2, tiltNP0

clipNP3, tiltNP7

clipNP7, tiltNP0

clipNP7, tiltNP7

dspLoad 3.60/6.80/3.60
download

dspLoad 7.20/4.00/4.00
short audio bursts, fed into a lp which is able to go into self-oscillation.

dspLoad 6.50/3.30/3.30
as above, w/o Freq and FreqMod controls.

dspLoad 34.10/30.30
qualified osc for time travelling.
mp3 one, two

dspLoad 38.90/35.10
as above, but w/ mod inputs for evry parameter.

OSC overview
CzOscs
ModulationOSCs
MultiOSCs
NoiseOSCs
PulseOSCs
SampleOSCs
SawOSCs
SawOSCsFlexor
SineOSCs
SpecialOSCs
Spectral&MorphOSCs
TubeResonator
WaldorfOSC
WavetableOSC
UknowOSCs

SpaceF_OSCs
ZargOSCs