dspLoad 8.80/5.60/5.60
similiar to the bitQuant module (dspLoad 0.50/ 0.60/ 0.50), it applies bit-reduction to the input signal. In addition, it provides two mod inputs. Sound example of a modulated crush module:
sineOsc>Crush<sawLfoMod      max poly: 16
 

dspLoad 13.90/10.80/10.70
creates a S-shaped curve for bipolar audio, and an exp. to log. curve for unipolar audio.
mp3: part MaxPoly: 9

dspLoad 10.90/7.60/7.70
the shaper flips between the positive and negative side of the input signal. Peaks emerge on the opposite side of the wave. mp3: sineOsc>DCShift<RampMod, 16th seq (ramp-modulated), part (lfo+velo modulated)
max poly: 16

dspLoad 9.90/6.60/6.70
the shaper inverts the polarity of the peaks of the incoming signal, folds them back, and clips them to the zero-crossing point. mp3: sineOsc>Flip’nClick<RampMod, part (cwSaw>Fl’n’Cl<lfo+veloMod)
max poly: 16

dspLoad 10.50/7.30/7.20
the shaper creates a PWM effect, by offsetting the centered zero-crossing point and normalizing each side of the signal. The result resembles PWM when used on almost any wave except pulse.
mp3:sineOsc>HardPWM<RampMod, part (sine>HardPWM<lfoMod)
max poly: 16

dspLoad 12.80/9.60/9.50
(...)creates a PWM effect by applying a logarithmic to exponential curve. mp3: chord (SoftPWM modulated by patternLfo)
maxPoly: 9

Shapers
Distortion
Formantors
Harmonic
Osc_Shapers1
Osc_Shapers2
Saturation
Special1
Special2
Special3
Cheby&Additive
TerrainOsc