Shapers
Distortion
Formantors
Harmonic
Osc_Shapers1
Osc_Shapers2
 

Saturation
Special1
Special2
Special3
Cheby&Additive
TerrainOSC

NBLsawGate2Hz

NBLsawGate2Hz

NBLsawGate2Hz

NBLsawGate2Hz

Crumble

dspLoad 12.00/8.80/8.80
divides the signal into several amplitude ranges and alignes them side by side. Starts its position DC shifted. Extremely aggressive sound.
max. poly 16
mp3: seqSine seqSaw seqVectron seqJayBase

Crumble1-5

Crumble1-10

Crumble3-5

Crumble3-10

Harm

dspLoad 14.20/10.90/12.00
divides the signal into several amplitude ranges and alignes them side by side. Division starts at zero crossing point. Extremely aggressive sound.
max. poly 16
mp3: seqSine seqSaw seqVectron seqJayBase

Harm1-5

Harm1-10

Harm3-5

Harm3-10

Shred

dspLoad 16.70/13.50/13.50
divides the signal into several amplitude ranges and alignes them side by side. Starts its position at zero crossing and clipping point. Extremely aggressive sound.      max. poly 16
mp3: seqSine seqSaw seqVectron seqJayBase

Shred1-5

Shred1-10

Shred3-5

Shred3-10

Squeeze

dspLoad 18.10/14.80/14.90
divides the signal into several amplitude ranges and folds them smoothly back inverted. Starts its division at the neg. clipping point
max. poly 7.
mp3: seqSine seqSaw seqVectron seqJayBase

Squeeze1-2

Squeeze1-6

Squeeze3-2

Squeeze3-6

Squish

dspLoad 16.20/13.10/13.00
divides the signal into several smooth amplitude ranges and folds them smoothly back inverted, avoiding sharp amplitude changes.
max. poly 9
mp3: seqSine seqSaw seqVectron seqJayBase

Squish1-2

Squish1-6

Squish3-2

Squish3-6

squash

dspLoad 15.20/11.902/12.00
divides the signal into several amplitude ranges and folds them smoothly back to be aligned side by side. Starts its division at both clipping points.
max. poly 8
mp3: seqSine seqSaw seqVectron seqJayBase

squash_AmountNP0

squash_AmountNP2

squash_AmountNP6

squash_AmountNP9

Warp

dspLoad 16.30/13.10/13.10
divides the signal into several amplitude ranges and folds them back inverted. Starts its division at both clipping points.
max. poly 12
mp3: seqSine seqSaw seqVectron seqJayBase

Warp1-5

Warp1-10

Warp3-5

Warp3-10

 

the (mono) mp3s had been made with most simplified patches:
wavetableOSC-> one of the Harmonic shapers. An AD envelope is used for modulating the shaper module.
The WavetableOSC uses Sine, Saw, VectronTypical and JayBase waves.
Dry/unprocessed seqences: Sine, Saw, VectronTypical1, JayBase

amount numPad [1]
factor 5
Squish+Squeeze:
numPad[1] factor 2

amount numPad [1]
factor 10
Squish+Squeeze:
numPad[1] factor 6

amount numPad [3]
factor 5
Squish+Squeeze:
numPad[3] factor 2

amount numPad [3]
factor 10
Squish+Squeeze:
numPad[3] factor6